![]() Intertwining old school Rock ‘N’ Roll guitar parts with powerhouse vocals, the track takes a Country spin on The Rolling Stones’ hit song, which was originally released in July 1974 as the lead single of their October 1974 album It’s Only Rock ‘N’ Roll. ” Listen to the song now and pre-save/pre-add Stoned Cold Country here. Today, the first taste of Stoned Cold Country – a forthcoming 60 th anniversary tribute album to The Rolling Stones from some of Country’s biggest names – arrives with the release of Brothers Osborne & The War And Treaty’s soulful rendition of “It’s Only Rock ‘N’ Roll (But I Like It). It may not be intensional, but it's genius! We know it's basically a demo track, and he seems to be just "finding" the rhythm at first.and it's perfect.A 60 th Anniversary Tribute Album to The Rolling Stonesīrothers Osborne & The War And Treaty To Perform Track Live For the First Time Together at “The 56 th Annual CMA Awards” on Wednesday, November 9įorthcoming Star-Studded Album Features Covers from Country’s Biggest Stars: Jimmie Allen, Brooks & Dunn, Brothers Osborne, Eric Church, Steve Earle, Elle King, Marcus King, Little Big Town, Ashley McBryde, Maren Morris, Elvie Shane, Koe Wetzel, The War And Treaty, Lainey Wilson & Zac Brown Band Ironically, it's one of the best drum tracks on a Stones record, and it's not Charlie!! Kenny Jones really has a strong Mick Fleetwood feel going on- the off-kilter single snare in the first verse, falling in to more of a standard 4/4 type thing makes it. It's almost paradoxical to listen to- As a whole, it's hard to keep track of all the nuances, if you focus on a single track, you lose sight of it's purpose. A guitar playing, casual Stones fan friend of mine caught me the other day and gushed about all the layers and time manipulations of this one. This track might "wobble" more than any other. You're getting to the meat of what I love about this track. Do they both have that jangely 12-string sound? Are they playing the exact same thing? Doubling tracks with a slight delay in one speaker was/is a common studio technique to fatten up the guitar sound. Am I mistaken? Could be one guitar track, Ronnie's 12-string. I hear 2 acoustic guitars, one in each channel. Quote donvis Just listening to this closely today. ![]() How could this happen, is one of the great RS mysteries of all times! C C MASTERPIECE! Unfortunately there is not one single decent version of Iorr (or davil, for what matters) from 89 - included - to date. Add all the bag of ususal tricks, the great intuition of moving the tonality to B, the usually great outro. I don't remember the band ever playing such intricate stuff ever again and since. Absolutely killer! Just listen to the hell the Stones rise in the first few bars of IORR on LYL. The result is one of the best rhythm work ever created in rock and roll. Charlie and Bill clearly built their parts on Keith's guitar work and Mick's singing rather than on the original drumm and bass. The story of this song on stage is very similar to the Devil's one: sublime in 75/6 - forgettable (to be kind) ever since. No wonder it was not deleted!! Jagger, well, the studio interpretation is in his top 10 best singing with the RS. ![]() ![]() Ronnie's acoustic is another key ingredient, both for the tonal colour it adds, and, and above all, for the rythm kick it gives to the whole song. Yes, tricks and fingerings come directly from Chuck Berry, but the way all this works againt the tempo is 100% Keith. The two main electric guitar parts laid down by Keith - the groovie boogie woogie line on the low E chord, and the double stop riffs higher up the neck - are a masterclass on how to create dynamics in a rock and roll song. First thing that hits is the majestic tone this song has. ![]()
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